25 May
Chopin
18 May
Chopin
- feel four beats in a bar instead of just one note at a time. a bit quicker, not too loud
- don’t add extra polyrhythms in
11 May
Chopin Nocturne
- ‘offset’ rubato for emphasis
- phrase based on height
- keep LH soft
- mordent, principle upper principle note
21 Oct
14 Oct
Meditation
- LH most important
19 Aug
Ashitaka
- section C, large phrasing RH, keep LH a layer lower
5 Aug
Ashitaka and San
- keep LH soft
- build up drama
15 Jul
Experience
10 Jun
Fix You
- see notes from last week, slow practice on quavers
Nocturne
- fInd loud bits to go louder
- inner RH softer
Goodbye for now
- Just focus on phrasing
3 Jun
Fix You
- ultra soft LH
- polyrhythm at bar 8
- avoid playing difficult sections too loud
- 23, wait on crotchety. keep a light sound here
- 31 intentional inverse phrasing
Goodbye
- metronome at 120, rhythm is sometimes off
homework: one recording
27 May
Seasons
- mostly needs to be faster
- balance and phrasing
Nocturne
- watch tempo
20 May
Seasons of Love
- all about rhythm, line by line, constantly reference recording
6 May
Seasons of Love
- please listen to recording for specific rhythm
- do phrasing everywhere
Fix You
- count carefully at 5
- 6 onwards generally too loud
29 Apr
Seasons of Love
- listen to recording for specific rhythms
- bring out melodies
- count semibreves at the start
- 29 onwards phrasing
Nocturne
- 37-40, rubato to emphasise sfz
1 Apr
Fix You
- rhythm at the start
- super soft on pp
- super soft LH throughout
- phrasing careful, soft edges
- watch rhythm, wait on full crotchet in 23
Nocturne
- phrase and treat melodies independently
25 Mar
Seasons of Love
- some inaccuracies at LH
- listen to recording for rhythm
- good voicing of main line
Goodbye for Now
- sometimes louder bits are faster
- keep a constant 3 beat feel
- slow down towards the end
- start each phrase soft
Nocturne
18 Mar
Fix You
- watch polyrhythm at 8
- match speed at 22
- try inverse phrasing 31
- more intense at 39
- 45, watch for mf here, more space to dim if this is louder
New piece: Seasons of Love
11 Mar
Nocturne
- efficient practice
- sectional
- have a look at what is wrong
- get consistent at a medium speed
- expressive considerations
Goodbye for now
- melody can be brought out more
- tie bar 20
- bar 17 soft and heavenly
4 Mar
Fix You
- bar 1-2, use soft pedal, LH very soft
- bar 5 counting
- polyrhythm bar 8
- bar 9 don’t freak out on scale
- softer on dip bar 14
- watch pedalling, rhythm and balance bar 22
Comptine
- watch tempo into bar 17
- bar 17, softer RH
- LH tends to increase volume across piece
- can take more ‘time’
- 2nd part should be softer and more delicate
25 Feb
Nocturne
- phrase top right hand bar 5 onwards
- phrase bar 14 top left hand
- bar 41 check rhythm
- morendo: to die away
- top left hand bar 1 a lot softer
- always keep inner RH chord soft
Goodbye for now
- can be a bit quicker, forward momentum
19 Feb
Fix You
- non essential notes play softer
- check rhythm bar 23
Comptine
- much softer LH, clear RH
- edges of each phrase very soft
- bar 17, RH accompaniment except accented notes
11 Feb
Nocturne
- main challenge is middle line, difference between melody and chords
- pedal every bar
- when getting louder, main increase is carried by inner melody line
Goodbye for Now But Not Forever
4 Feb
Fix You
- keep LH soft all the time
- melancholic dynamic, what should you do
- bar 22, bring out main melody making everything much soft
Scales
- Eb grand scale
Comptine
- LH much softer, RH needs to come out clearly
13 Dec
Scales
- do some i guess
Fix you
- first line make sure you count
- phrasing balance main considerations
- bar 22 get quicker
Comptine
- LH much softer
- phrasing much more, focus on starting softer
6 Dec
Fix You
- LH still unstable from bar 6-13. phrase here, LH soft
- bar 1-2, very soft and crystalline. top not slightly voiced. not too los
- bar 5, wait two beats
- bar 14, phrase according to contour
- bar 22 onwards watch accuracy
Comptine
- LH softer overall
- thinking about narrative, how does the second half differ?
29 Nov
Fix You
- LH beat, try to keep stable where possible
- not too important right now, but have some thought about how to keep the same tempo. 4 beats in a bar
Comptine
- LH accomp soft, cloud
- phrasing key expressive feature
- can eventually try rubato (flexibility in time)
22 Nov
Fix You
- watch LH fingering in 22. make sure that similar fingerings are copied over at 39 as well
- be careful of notes in general as well
- think about whether you want to write repeated fingerings
- check LH rhythms, is it ti-ti ta?
- triplet, slot LH left hand note in
15 Nov
- new piece: Fix You
1 Nov
Rainbow Connection
- drive forward with tempo, don’t start slow
- check LH rhythm in bar 29, 31, last quaver needs to be quick
- bar 32 MUCH LOUDER
- swing quaver bar 40 RH
- bar 47 can be louder, smooth dynamic transition
- hold last note longer
Legend of Tanis
- generally first page accents can be greater, louder chords
- bar 18 RH has errors
- ending needs to be much quicker
- contrastingly, middle section
- super soft
- lots of phrasing
- should be film like
- check LH bar 30
- check rhythm bar 31-34
- make the mf in bar 50 softer
- bar 64
- molto rall, slow down, go a lot slower, then pause
- piu mosso, more movement
Spinliedchen
- 27 softer RH
- slow practice might help uneven semiquavers
- slow practice helps the mental memory
29 Oct
Queen Alice
- bar 49, falling asleep, get softer and slower. can use soft left pedal
- RH voicing and phrasing, LH very soft and supporting role
- bar 17 soft, 21 mf difference
- bar 25 phrasing, focus on softs.
- ‘fluffy’ RH
- watch out for pedalling consistency in general
Rainbow Connection
- intensity can be represented in RH without overpowering overall texture bar 48
- greater RH intensity 32, 42 get even softer
- bigger rall in 45, spread out LH crotchets
- all about getting intensity in RH
Spinliedchen
17 Oct
Rainbow
- phrasing intentionally
- focus on soft low notes
- increase speed to help to flow
- watch rhythm bar 27-35, keep quavers ‘attached’. use bar 25
- rall – slow down in 45
- each consequent beat gets slower, more gap
- 48, focus on phrasing upwards
- 64 super soft
- 79 get softer after main peak
- main focus on should getting effective phrasing and dynamics. notes are already well known
Spinliedchen
- 27
- RH much softer
- lift up at the end of LH slur. doesn’t have to ‘nice slur’ ending
- bar 40 watch Bb in RH
- 43 LH don’t hold note, keep soft and non-legato
- poco rit slowing down a bit
Legend of Tanis
- check RH 18, 21 RH
- pay attention to rall and riten in the first page, all means slowing down.
- molto espessivo more phrasing